The tertiary colors are orange, made by mixing red and yellow chartreuse green ( yellow-green), made by mixing green and yellow spring green, made by mixing green and cyan azure, made by mixing blue and cyan violet, made by mixing blue and magenta and rose, made by mixing red and magenta. (* Tertiary means third) The tertiary colors are made by mixing a secondary and primary color together. The secondary colors can be mixed with the primary colors to make tertiary colors. The three primary colors of pigment can be mixed to make red (magenta and yellow), green (yellow and cyan), and blue (cyan and magenta), but they do not appear as bright when they are made with pigment instead of light. The primary colors of light are the secondary colors on the "printer's color wheel". They are magenta (a bright pink), yellow and cyan (a light greenish blue). These three colors are called the subtractive colors. The secondary colors of light are the primary colors of pigment on the printer's color wheel-the color wheel used for color printing). Secondary colors are made by mixing the primary colors of light together. (* Secondary means second) The secondary colors are on all color wheels. A long time ago, people used to think that the primary colors were red, yellow and blue. The primary colors of light can be mixed together to make secondary colors. The three primary colors of light are the secondary colors on the printer's color wheel. They are red (made in pigment by mixing yellow and magenta), green (made in pigment by mixing cyan and yellow), and blue (made in pigment by mixing magenta and cyan). These are called the three additive colors. There are the three primary colors of light. You will find working with color much easier and more enjoyable if you are able to visualize the positions of each color around the wheel and basically know how the colors relate to one another even when you don't have a color wheel right in front of you.The primary colors always appear on the color wheel. The goal is use the color as a reference tool, first by referring to it directly but eventually to see the relationships so clearly that they are stored in your memory as an instant reference for you to access any time you are working with color.
Even at night the source of light is most often coming from above. Your mind is comfortable with light being at the top and dark beneath. Yellow is the lightest color on the wheel violet is the darkest.
For this reason, I suggest that you get into the habit of holding the color wheel with yellow always at the top. If you look at the color wheel in the same orientation every time, it becomes easier to remember the positions of each color and how they relate to one another.
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